Resolutions: 2018 / by Hugh Rawson

Having allowed myself the indulgence of reflecting in my last blog it only seems right to think about the challenge of resolutions for the new year that has just started. I’m not talking about any of that dry January, veganuary, or any other personal “anuary” stuff but purely about a photographic perspective. However, it is a subjective consideration of where I need to put in some hours and resolve to improve my work with the camera. Join in if you want to.



It’s always good to begin a list with at least one thing you can tick off already so straight in at number one is “Enter more competitions.” Of course, the more bit is the easy bit here because even one competition entered would mark a massive percentage increase on last year’s zero competitions entered - but I am delighted to announce that I can already tick this particular resolutionary box. I succeeded in entering three candid street shots into the Sony World Photography Exhibition, sneaking in just hours before the deadline of 1.00 p.m. GMT on Thursday 4th January. 

This is one of my favourite events of the last few years, visiting the exhibition each April/May in Somerset House with a couple of good camera comrades. I’d definitely recommend it if you haven’t been before. How incredible (unbelievable) it would be to see an image of mine represented this year.

Of course, there will have to be other competitions entered to really feel that I have fully embraced the whole resolution thing.


Number Two - Slow Down. Something I’m not particularly good at - which is probably why I’m more Mister Street than Mister Landscape, Mister Macro or Mister Portrait. I habitually shoot at a fairly fast shutter speed (1/500th) as I ricochet through town centres. I don’t want to stop that completely but I am aware that there are times when taking a more considered approach will pay off. Heck - I could even bring the viewfinder to my eye from time to time, like a real photographer. I think this may also mean carrying two cameras and shooting slowly with a longer focal length. I have the beautiful Fujinon xf56mm f1.4 lens which is equivalent to an 85mm full frame lens and produces beautifully creamy bokeh. I’ve tried shooting fast and furious with it from the hip - gunslinger style - but I miss almost every time. If I could slow down and shoot from further away, taking my time to compose and get just the right shot, it would bring a new style to my work with compressed foreground and a magical fall off. 


Number Three - I’m sure I’m not alone in feeling that I only know part of my camera. There’s so much more that I could utilise if I only knew how. I can get it to do the things I need fairly quickly but my needs are simple and mainly based around getting a quick result. However, I know that there are shortcuts and settings that would help if I took the time to get my head around them. I read other people talking about how they’ve customised their settings or watch You Tube clips of magic fingered photographers working their camera like it’s some kind of Rubik's cube. I could never do them either. An afternoon by the fire, working out my optimal settings, is probably all it needs  - there just always seem to be better things to do with an afternoon.  


Number Four - is a processing issue. It seems that most people think of my work as black and white. That’s fine. I love monochrome. But I do love colour too and some of my favourite photographers have a real strength in colour - Saul Leiter, Harry Gruyaert, Ernst Haas, Alex Webb, Fred Herzog. I know I like my flavours strong and perhaps that’s the problem. I find it all too easy to overdo colour processing. I think it’s finished and publish it; then I look at it and feel that I’ve overdone it again. More subtle in 2018, that’s the plan.


Number Five - keep on keeping on. By this I mean to continue taking the kind of shots I want to look at; photographing for me and not for anyone else. This way I will continue to develop my own style and voice. I know I’m good at getting close - often too close that I lose the setting - but maybe I should step back a bit to contextualise a shot and then not be afraid to crop in should I need to; perhaps take some of the clutter out of a shot and focus on the key elements of an image.


So, there are my photographic resolutions laid bare. What about you? What will you change?