According to Lightroom folders, I’ve taken about 20% more photos this year than in 2016. I already shoot too many. Of course, the number on file is nothing compared to the number taken - I delete a huge proportion of the number I take. And, I guess, like any street photographer, many of these will include the nearly shots - the ones that would’ve been classics if I hadn’t missed a head off or framed the action too far off the edge, or forgotten to switch the camera on/insert SD card/bring extra batteries. Ah the ones that got away.
Crucially, have I improved? As Yoda puts it in the latest Star Wars movie “The greatest teacher failure is.” Perhaps this is the new hope - that we continue to learn from our mistakes. I have to believe I have and looking back at last year’s photographs I certainly feel that this year’s crop are more knowing, more intelligent. They have probably lost a certain innocence or naivety. That, in itself, may not be such a good thing. It isn’t good if my images have simply aligned themselves to others' perception of what makes a good shot. I hope that I have maintained an essence of me and even developed a more recognisable style. I still try to take the pictures that I want to see - rather than trying to conform to someone one else’s view of what works.
This year I have even discovered the joys of printing. For as long as I’ve been taking photos seriously they have existed only on a computer screen or a mobile device. My first exhibition at the tail end of the year necessitated finding out about printing and seeing the first fifteen black and white images printed was such a proud moment, eager to unwrap them at my desk and showing any poor soul who happened to be passing. Thanks to the Printspace for doing such a great job. The exhibition was a far greater success than I could ever have dreamt and I loved giving my talk - who knew I’d love talking so much? (Ahem!) Following the exhibition, some of the prints now hang in my home and in my office and I do still enjoy seeing them, adding to the sense that I am shooting the shots I would like to see. Long may that last.
A year ago my website was only a few months old. A year on, blogging hasn’t exactly been frantic but it has been fairly regular and consistent - enough to see the site in the top 50 street photography websites online - though I wonder how many there are… I’ve bashed away on Instagram and Twitter and seen my following increase, now approaching the 1,100 mark on instagram (not huge but not nothing). More importantly, as a result of plugging away on these I secured an interview and feature with Digital Photographer (Issue 195) and a feature on www.streetphotography.com. Both of which I thoroughly enjoyed.
Honestly, if you’d told me at the beginning of 2017 that by the end I’d have achieved half of the things above I would have struggled to believe it. I’ve been very lucky and very well supported. You know who you are... thank you.
Artistically, my photographs are better. I know they are because I am more fussy about quality control and what I will allow through. I have improved my editing workflow and become better - more subtle but still with some way to go especially with colour. I have honed a style that uses sub framing a lot and is better for it. I have improved my techniques with night shots and my street work is now more about capturing well composed moments and not simply catching a passer by on the way to the supermarket.
So, if could go back a year, what advice would I give myself?
- Believe in what you’re doing especially the black and white - and be true to your vision of what is right.
- Keep pushing the social media on a regular basis. Blog too whenever you can.
- Don’t underestimate the value of just sitting and looking at pictures - online, in a book or a gallery. If that doesn’t sit comfortably with your Protestant work ethic, then think of it as high class training for the eyes.