Photobooks - what you told me....

So here are the books that you recommended to me on my instagram feed @hueyraw (Some were already highlighted in my previous post so don’t get namechecked again here.)

Click on the image for a link to buy the book online.

Some of them aren’t so easy to get hold of. Anyone willing to republish some Fan Ho?

Thanks to the instagram crowd and especially @setex @daniel75009 @nico_street_ @nadiagrayphoto @bassabas @mikael_grs @friedaknips @menasambiasi @fabiennehanotaux @is_it_on_the_trolley @ashsmithone @gav__robinson @lucas.savoie

Paris

Robert Doisneau

Hong Kong Yesterday

Fan Ho

Subway

Bruce Davidson

Camera in Love

Ed van der Elsken

East/West

Harry Gruyaert

Genesis

Sebastiao Salgado

In England

Don McCullin

It’s All Good

Boogie

Illuminance

Rinko Kawauchi

Memories of a Dog

Daido Moriyama

Street Photography Now

by Sophie Howarth and Stephen McLaren

Magnum Contact Sheets

Kristen Lubben

Photobooks - a personal list

Everyone loves a list.

The desert island game is one I will willingly play from time to time - especially with music. Although choosing only ten tracks or pieces from a lifetime of passionate listening often seems as futile as it is impossible - moods shift, needs change and new things come along. The same applies to photo books. A new one is almost automatically elevated to favourite status and, if it’s not, then the purchase is always slightly tinged with regret.

So, which would you take? No fixed limit to the number of books but let's assume that your travel is not in some kind of mobile-library(!) so that there is some implied limit.

I started by imagining a top ten. I then asked my instagram followers for their favourites. This brought me a few familiar ones and some new books that I look forward to discovering. It also threw up the question of which books qualify - I had been thinking about books by one photographer. However, there were some really strong mentions of books about photography and some collections too 


This first blog is going to focus on books by single photographers, leaving space for compilations (for want of a better word) and guides in future blogs.

I should also say that I am simply listing the book without a review. If you want to see what they’re like for yourself then there are plenty of places to look online or in bookshops. 

So.. here we go.  Click on the image for a link to buy online.

The Suffering of Light

Alex Webb

Home Around The World

Elliott Erwitt

Colour Correction

Ernst Haas

Modern Color

Fred Herzog

Twilight

Gregory Crewdson

Valparaiso

Sergio Larrain

Henri Cartier Bresson

by Clement Cheroux

Youth Unemployment

Tish Murtha

Early Color

Saul Leiter

The New Yorkers

Robert Herman

Honourable mentions to Anders Petersen, Marc Riboud, Mark Neville’s “Fancy Pictures,” and the sheer gorgeousness of Sebastiao Salgado’s use of deep blacks in his monochrome images.

If your favourite is not listed, I’d love to hear from you. Like or comment below.

Til next time.

British Photography Awards

Thrilled to be shortlisted in the Street category of the British Photography Awards with my image All The Fun Of The Fair.

All The Fun Of The Fair   Chiddingfold, Surrey. 2018.

All The Fun Of The Fair

Chiddingfold, Surrey. 2018.

Part of the competition is a public vote and you can vote for my image by clicking on the image which will take you to the link.

Please do look at the other images and categories - there is some amazing talent on show.

Twitter: @GBPhotoAwards

Instagram: @britishphotographyawards

Facebook: @britishphotographyawards

Photo Rich. Time Poor.

I am lucky enough to have had a week’s holiday; not travelling but just unwinding, catching up and reeling back some of the hours lost to the day-job over the past two months. I suppose that it’s part of my own sense of worth and some deep puritan work ethic that I am seemingly unable to completely stop. I begin my time off by making lists of tasks to achieve within the week ahead - one of which is to write this blog. (So here I am with less than 24 hours holiday remaining and a slight sense of guilt for not having done it earlier - anyone else been here?)


One of my main aims this week was to spend some time looking at photo-books. I have said several times in this blog space that one of the best ways to learn is to look at the work of the greats. It’s so important. It feed us, educates us , inspires us; yet it’s so easy to put off. Why wouldn’t I want to invest a small amount of time in something which I know will help me improve in an area I feel passionate about? Yet time is precious. Finite.


How long should one sit enjoying a pile of photo-books for? Two hours? One hour? 30 minutes? Ten? Even that can feel like an indulgence when there are other people in the house going about their business. Surely, one can find ten minutes in a week.


It turns out I couldn’t.


I do know where a considerable chunk of my time has gone. Social media. Specifically, Instagram and Twitter. In recent blogs I have written a good deal about social media and largely in positive tones. I am not about to change my view. While I find that I have spent a long time on both platforms - or longer than I would’ve wished - this is purely my problem and not one that I can blame the platform for. However, while I enjoy the capacity of social media to allow me to see many, many more images in a short space of time than ever before in history (and very easily too), I find that there is such a wealth of images to enjoy and respond to that I am not spending long on any of them. It’s become a swipe, flick and like mechanism. I consume hundreds of images in a day and I dread to think how much time I spend on each one. Or rather, how little time i spend on each one. I’ve learned to quickly take in the basic elements - composition, light, framing - but it’s almost a skim reading. Sometimes I probably spend longer writing a comment than looking. So many pictures. So little time.


Don’t get me wrong, I am inspired  by what I see on social media, I learn from my peers, and it definitely feeds me - especially in encouraging me to pick up my camera, get out and start shooting. I need to learn to slow down and truly consider the images before me. In short, I need to chew my food, savour it and reflect on it, rather than always subsisting on the spaceman’s diet of a dry handful of tablets that contain just enough to sustain me.


This morning, the clocks went back. Today I have an extra hour. While I have been promising myself time spent with a pile of inspirational photo-books, the week has almost passed and I haven’t achieved it. So I hereby declare that I am going to commit to spending that hour with a fresh pot of coffee and a pile of books; a collection of paper images that I will turn slowly, savour, and force myself to look at more deeply. I come to them with the expectation that I will learn from them - both consciously and subconsciously. When I next pick up my camera I will do so with the improved knowledge and better vision that this hour and these books have brought me.

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Likes, Inspiration and Social Media

My last blog garnered a good response on social media - lots of positive comments on Instagram and Twitter; if no actual direct responses on here; the website that hosted it. Maybe that’s the perfect response in itself. 

Thinking on (and I’m not the first person to think of all the things they wish they’d said after the moment had passed) I think the major omission from the blog was: inspiration.

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For me, one of the greatest honours is to know that I have inspired someone else. There were a few posts on my feed this week that drew that response - I’d encouraged photographers to go out and shoot and, more specifically, to go looking for reflections. 

Basking in that initial warm fuzz, I began to think about inspiration. I have been so inspired by so many of the feeds that I follow on both Instagram and Twitter that I was surprised that I hadn’t focused on that as a major reason for swimming in the social media pool.  

Inspiration is a two way street. I can hope to inspire - but I expect to be inspired.

The work of other photographers has opened my eyes to new ways of seeing, of processing, of framing...  

It has inspired me to visit new places and helped to plan my street photography when I am there. 

I have been introduced to the work of other published photographers - both living and dead - through references and comments in feeds.  Some feeds even exist to publish work of long gone greats who probably never even used the words “social” and “media” in the same sentence.

Social media really does have the capacity to inspire on a worldwide level - both looking ahead to the future as you see the work of current photographers develop, and looking back to the past.

In short, I can’t help feeling that if you don’t find inspiration in social media then you must be following the wrong people.

 

4 From 7: no. 2

A village fair and some shots taken into cafes for this week's offering:

Like Buses

No posts for a while and then two in one day…

 

Just a short one to mention how honoured I am to have been listed in the list of Top 10 UK Street Photography Blogs. For me, it’s a real honour to be mentioned alongside the likes of Linda Wisdom (Linda Wisdom Photography) and Max Gor  (maxgor.com).

 

Do check them out and the other great UK photographers in the list. And pass them on…

 

Thanks,

Hugh.

London Light - Feb 2018

My blog thus far has tended to be philosophical ramblings about photography; musings on settings and gear; or the occasional “how to.” That probably begins to explain why blogging tends to happen fortnightly - fitting around the day job and collecting my thoughts gets in the way.

 

I have decided that perhaps the blog space is the place to try posting photos that I have been taking recently with a view to seeing how they look published, out there in the world, for all to see. Be prepared for more photos and and more posts - though just as many words.

 

Last Saturday I was in London with the camera, though not specially to take photos - this was a family outing. The trusty Fuji x100f is never far from my hands. The light was fantastic, even if the clear blue skies meant the air was shockingly cold, making holding a camera a challenge at times. I can’t do gloves. Gloves seem to introduce some kind of layer between camera and brain - as well as between hand and camera. I just can’t seem to function properly as a photographer in them.     

 

Here is a mix of colour and black and white images from the day - all shot around South Kensington and Brompton Road.